Or ... David has watched some more films. This time I chose three which looked interesting. Two I had heard of, and one I'd never heard of ... so what did I make of them?
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First off we watched the new X-Men film, called
X-Men First Class, presumably because it's an origins piece as to how the X-Men came to first get together. I'm not familiar with the X-Men comics at all so have no idea whether what was presented was 'correct' or not, so all I have to go off is the film. In it we meet a young Professor Xavier (James McAvoy) who has a talent to read minds. He helps the government when a young Magneto (Michael Fassbender) tries to get vengeance on some thugs and they join forces against Sebastian Shaw (Kevin Bacon) in true villain form. The problem I had with the film was that it seemed very disjointed. It was more a sequence of 'what powers does this one have' than a coherent film, and although the mutants were very interesting, it quickly became a little boring. I liked the central idea with Mystique that no-one loved her in her blue form, and that she had to love who she was herself before anyone else would love her. The chap who became Beast was interesting as well as his 'talent' - to have hands instead of feet - seemed pretty useless to me, and it took him tampering with his own DNA to turn him into Sulley, the big blue monster off of
Monsters Inc. I liked the dragonfly lady, but couldn't see why she would be able to hawk explosive spitballs around, and the lady who could turn into diamonds was also interesting. But overall ... despite the great effects, the film left me a little cold. Just an okay from me on that one. I think the earlier X-Men films were much better.
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Next up was
Attack the Block. And oh dear. From the off, the main protagonists are shown to be a bunch of little shits. The sort of kids that society seems to be plagued with these days - irresponsible, lacking respect for anything and anyone, speaking in a sort of dumbed down patois regardless of their ethnic origin, and basically troublemakers looking for trouble. They mug a girl (Jodie Whittaker) on her way home from work, stealing her ring and wallet, and then see a meteor land. But on the meteor (or is it some sort of spacecraft?) is an animal which the gang leader Moses (John Boyega) proceeds to chase and kill. But this seems to anger a pile of other space creatures who arrive, and they then chase and attack the yobs who end up joining forces with the girl they mugged to try and survive. To be honest, I disliked these kids so much that I was rooting for the aliens all the way through. Unfortunately the aliens are beaten and the surviving kids hailed as some sort of heroes ... it all left a bad taste in my mouth. I suppose on an intellectual level I can praise the writer and director for so accurately depicting these little shits, and the actors too for making them so unlikable. But a film needs heroes you can relate to and root for and this failed in that respect. The monsters are bargain basement, looking more like shaggy apes with joke-store glowing teeth than aliens - they reminded us of the Cybershades from
Doctor Who a couple of years back, and they were rubbish too. Not a great film by any means, and certainly not one I have any desire to see again.
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The third film I got because it looked like a thriller in
The Fast and the Furious vein, however
Drive Angry is actually nothing of the sort. The first surprise is that it's a supernatural yarn, and the second that it's really good! Nicholas Cage plays a mysterious drifter called Milton who seems to have supernatural powers. He joins up with a gorgeous waitress, Piper (Amber Heard), and the two of them head off after the Satan-worshipping cult, headed by Jonah King (Billy Burke) who have kidnapped Cage's granddaughter and who plan to sacrifice her. On Cage's trail is the Accountant (William Fichtner), a brilliantly portrayed being who is powerful and vicious and who just wants to get Cage back in check again. It transpires that Cage has escaped from Hell to perform his rescue, and will stop at nothing to achieve it. So
Drive Angry plays out as a sort of road movie, but with supernatural shenanigans (in fact, the TV series
Supernatural is probably part of the inspiration for the film), some great characters and performances, and some neat effects and ideas. It was a surprise to me that it was as good and as enjoyable as it turned out to be. The title, by the way, comes from the license plate of Piper's car: DRV AGRY.