Saturday, April 13, 2019
The basic plot is simple: A couple move into a house which was once where an evil Plantation owner lived with his slaves, his wife and child. The slaves revolted and summoned a demon which possessed the Plantation owner causing him to lock his wife and child in a casket in the attic.
Flash forward to present day, and our eighties couple: David Young (Andrew Stevens), apparently a psychiatric doctor, and his girlfriend Kate (Mary Page Keller), a singer who is making a pop video, and who happened to be David's patient up to a year ago, move into the house with her son Jason (Joshua Segal). Cue all manner of nasty happenings as the ghosts from the past are coming to get them ...
It's all a bit confused at the end as before the demon is destroyed he seems to give birth to another demon from within him ... then there's eighties early CGI light effects and Kate is left a catatonic wreck, being visited by Jason. I guess she was scared stiff ...
Interesting that the original script was written by Mark Frost, slightly before his Twin Peaks fame, but coming after The Six Million Dollar Man, Hill Street Blues and The Equaliser ... However in the Making-Of documentary, they explain that Frost's original screenplay was changed around a lot before it became the final film ... and one wonders if the original might have been so much better than the something of a pot pourri of ideas that got to the screen.
SPECIAL EDITION CONTENTS
• Brand new 2K restoration from original film elements
• Original uncompressed Stereo audio
• English subtitles for the deaf and hard of hearing
• Brand new audio commentary with director Richard Friedman, producer Dan Bacaner and film historian Robert Ehlinger
• Mansion of the Doomed: The Making of Scared Stiff – brand new documentary featuring interviews with Richard Friedman, Dan Bacaner, Robert Ehlinger, actors Andrew Stevens and Joshua Segal, special effects supervisor Tyler Smith and special effects assistants Jerry Macaluso and Barry Anderson
• Brand new interview with composer Billy Barber
• Image Gallery
• Original Theatrical Trailer
• Limited edition slipcase featuring original Graham Humphreys artwork
• Reversible sleeve featuring two original artwork options
FIRST PRESSING ONLY: Fully illustrated collector’s booklet with new writing on the film by James Oliver
Director: Richard Friedman
Cast: Andrew Stevens, Mary Page Keller, Joshua Segal
Sunday, April 07, 2019
If one took a film similar in idea: Alien, then you hopefully see what I mean about the characters needing to be three dimensional. In Alien, a group of humans arrive on a planet only to find that it is home to a life form which wants to wipe them out. Moreover, one of their number is actually planning to bring said life form back to Earth ... and as such Terra Formars plays out in similar fashion, but without the three dimensional characters or the cool monster at its heart.
What I can see in Terra Formars are echoes of a great many films/TV, all of which did this sort of thing much better. There's Alien as mentioned, but also Blade Runner (the opening could almost be from that film), Starship Troopers with the idea of humans trying to wipe bugs from the face of a planet, there's Transformers and Power Rangers in the strange idea that in order for the humans here to succeed, they must be able to change themselves via injections of some mystery DNA potion into hybrid bugs themselves ... thus we have a chap who can blow flames from his mouth, a girl who can extrude silk, another girl who can implant 'herself' into the brains of others to control them, and a chap with giant hornet stings on his hands ... plus many others.
There's a fair bit of misogyny in the film as most of the female characters are summarily beheaded by the roaches without a thought, while the male characters battle on. There's no mourning, just moving on with the action, and while some of the male characters are killed, it all seems a soulless process. All driven by some fashionista back on Earth who has an ulterior motive which, again, I can't recall what it was ...
This is not a great film, and it suffers from a degree of slowness in the earlier stages, and then repetition in the later acts. The characters are instantly generic and forgettable (I didn't come away with the name of a single one of them), and, just as with Power Rangers/Transformers once you have seen the transformation into a hybrid the first time, it starts to drag with each successive time: a collage of the real insect and information about its particular 'powers' against CGI of the film character growing antennae or mantis-arms or whatever.
Distributor: Arrow Video
Release date: 1st April, 2019